Generally considered the greatest French composer since Debussy, Ravel combined skill in orchestration with meticulous technical command of harmonic resources.

He was a great admirer of Debussy’s music and could hardly avoid being influenced by him.

He met Erik Satie who also had a considerable influence on his artistic development.

He eventually developed a style of his own which the critics often described as cold blooded and artificial.

In later years he based some of his finest works on the Oriental scales he had heard at the 1889 Paris Exhibition.

Ravel wrote two operas, the first, described as a com鑔ie-musicale, L'heure espagnole (The Spanish Clock) and the second, with a libretto by Colette, the imaginative L'enfant et les sortil鑗es (The Child and the Enchantments), in which the naughty child is punished when furniture and animals assume personalities of their own.

Ravel wrote his ballet Daphnis et Chlo?in response to a commission from the Russian impresario Dyagilev.

The work, described as a symphonie chor鑟graphique is based on the Hellenistic pastoral novel of Longus.

Ma m鑢e l'oye (Mother Goose), originally for piano duet, was orchestrated and used for a ballet, as were the Valses nobles et sentimentales and the choreographic poem La valse.

Ravel's last ballet score was the famous "Bol鑢o", a work he described as an orchestrated crescendo.

MIDI FILE - Bolero (15'43'')

In addition to the scores for ballet and arrangements of piano works for the same purpose, Ravel wrote an evocative Rapsodie espagnole (Spanish Rhapsody).

Other orchestrations of original piano compositions include a version of the very well known Pavane pour une infante d鑖unte (Pavane for a Dead Infant), the Menuet antique, Alborada del gracioso from Miroirs and pieces from Le tombeau de Couperin.

MIDI FILE - Pavane pour une Infante d閒unte (5'18'')

Ravel wrote two piano concertos, the first, completed in 1930, for the left hand only, commissioned by the pianist Paul Wittgenstein, who had lost his right arm in the war, and the second, completed in 1931, for two hands.

Songs by Ravel include the remarkable Sh鑘鑢azade, settings of a text by Tristan Klingsor for mezzo-soprano and orchestra, and the Don Quichotte ?Dulcin鑕 (Don Quixote to Dulcinea) songs, originally written for a film of Don Quixote in which the famous Russian bass Chaliapin was to star.

Songs with piano include settings of the Jules Renard Histoires naturelles, portraying an instinctive sympathy towards the birds and the cricket.

Ravel's chamber music includes the evocative nostalgia of the Introduction and Allegro for harp, flute, clarinet and string quartet, a violin sonata with a jazz-style blues movement, a piano trio and a string quartet.

Tzigane, written for the Hungarian violinist Jelly d'Ar鄋yi, is a remarkable excursion into extravagant gypsy style.

Ravel was himself a good pianist. His music for the piano includes compositions in his own nostalgic archaic style, such as the Pavane and the Menuet antique, as well as the more complex textures of pieces such as Jeux d'eau (Fountains), Miroirs and Gaspard de la nuit, with its sinister connotations.

MIDI FILE - Gaspard De La Nuit:

Ondine (5'43'')
Scarbo (8'11'')
Le Gibet (5'32'')