- Classical Music Dictionary

Gustav Mahler Life

Gustav Mahler was born in Kalischt. He was the son of a poor Jewish pedlar and in later years he referred to himself as a thrice homeless man: a Bohemian among Austrians, an Austrian among Germans and a Jew among the people of the whole world.

He began to study piano at the age of six and was already an accomplised pianist when he entered the Vienna Conservatoire at the age of 15.

Much of his career was spent as an opera conductor working in Budapest, Hamburg and finally in Vienna, where his energy and competence as artistic director soon made the Vienna Court Opera the finest company in Europe.

Mahler resigned from this post in 1907 when he was unable to sustain the workload any longer due to heart problems and the death of his eldest daughter.

He spent the last years of his life conducting in Europe and the United States.

Mahler’s compositions received little accalim during his lieftime and it was not until the 1950s that his work became popular.

He was a prolific composer and tried to write music so varied and grandiose that the whole world was reflected in it.

Gustav Mahler Works

Mahler completed nine symphonies, leaving a tenth unfinished, in addition to Das Lied von der Erde (The Song of the Earth), a symphony in all but name, based on old Chinese poems.

Symphony No. 1 is sometimes known as Titan and includes a remarkable ironic funeral march that transforms a nursery tune.

MIDI FILE - from Symphony n.1: 3rd Mov. (8'31'')

Symphonies ns. 2, 3, 4 and 8 make use of choruses and vocal soloists.

MIDI FILE - from Symphony n.3: 5th Mov. (3'16'')

MIDI FILE - from Symphony n.4: 1st Mov. (17'31'')

Symphony No. 8 is known as the "Symphony of a Thousand" because of the number of performers it requires.

The symphonies, in their variety of mood, offer a reflection of the world, with music that may occasionally be garish and yet often reaches unsurpassable heights.

MIDI FILE - from Symphony n.5: Adagetto (11'47'')

Mahler wrote a number of songs of singular beauty, some of which were re-used in orchestral settings.

The songs include settings of poems from the Romantic anthology Des Knaben Wunderhorn (The Boy's Magic Horn), Lieder eines fahrenden Gesellen (Songs of a Wayfarer) and Rueckert's Kindertotenlieder (Songs of the Death of Children).

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